The Mythic City
introduces Bombay, or Mumbai, as a much coveted,
foreign destination, both because of its geographic “remoteness” and its allure
to the author. Bombay was chosen over New Delhi and Madras, because it’s not a “dull
seat of the government” nor too culturally remote. Hindi cinema served to fuel
this desire to experience the “unlimited possibilities” Bombay offered.
Employing eye-watering descriptions and slightly sardonic humor, the author
expounds on the features of the city, mostly referring to the prevalent social,
political and artistic scenes. Bombay is revealed to be a city where scores of
tongues resonate among the populace, which in turn consists of a large gamut of
religions. This has led to an innovative vernacular tongue, Bambaiya. Mumbai is
a colorful city, lush with fervor. With these glorious revelations, the author
then proceeds to enter the streets of Mumbai.
The preface to City at its Limits deals
with Lima. It takes of taboo, and transgression. The transgression of taboos
highlights the character of Lima. This was due to a lack of an object to systematically
examine.
Both articles, though varying in the
telling, describe cities through their most defining characteristics.
Sharanya Soundararajan
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